By Marc Porter Zasada
It’s nearing midnight in Hollywood, and the Urban Man has joined his fellow Angelenos on a sacred pilgrimmage. I’ve come with a rowdy club of twenty-somethings to stand outside the Sunset Five, in a long and happy line to see “The Citizen Kane of Bad Movies.”
I mean, of course, The Room, that delicious cult epic of bad writing, bad acting, and bad direction; the film produced by, written by, directed by, and starring the staggeringly untalented Tommy Wiseau.
This is the work sent by God to assure mankind that “failure is an option”–and really, could there be anything more important to communicate to His ever-suffering children?
The night is cold, but the mall is lit with the clean fluorescence of successful commerce—the Starbucks and Trader Joes that dominate our lives. The crowd would prefer to be more rowdy: more stoned or more drunk or more foolish. But our own failures are insufficient: we need Tommy to clown before us. Continue reading